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2001 studio album past Blink-182

Have Off Your Pants and Jacket
Blink-182 - Take Off Your Pants and Jacket cover.jpg
Studio album by

Glimmer-182
Released June 12, 2001 (2001-06-12)
Recorded January–March 2001[1] [2]
Studio
  • Signature Sound (San Diego)
  • Larrabee Westward (Hollywood)
  • Cello (Hollywood)
Genre Pop-punk
Length 38:54
Characterization MCA
Producer Jerry Finn
Blink-182 chronology
The Marker, Tom, and Travis Show (The Enema Strikes Back!)
(2000) 		Accept Off Your Pants and Jacket
(2001) 		Blink-182
(2003)
Singles from Take Off Your Pants and Jacket
  1. "The Rock Show"
    Released: May 22, 2001
  2. "Outset Date"
    Released: October 8, 2001
  3. "Stay Together for the Kids"
    Released: Feb 19, 2002

Have Off Your Pants and Jacket is the fourth studio album by American stone band Glimmer-182, released on June 12, 2001, by MCA Records. The band had spent much of the previous year traveling and supporting their previous album Enema of the State (1999), which launched their mainstream career. The album'due south title is a tongue-in-cheek pun on male masturbation ("take off your pants and jack it"), and its cover art has icons for each member of the trio: an plane ("take off"), a pair of pants, and a jacket. Information technology is the band's concluding release through MCA.

The anthology was recorded over iii months at Signature Audio in San Diego with producer Jerry Finn. During the sessions, MCA executives pressured the band to retain the sound that helped their previous album sell millions. Equally such, Accept Off Your Pants and Jacket continues the pop-punk tone that Glimmer-182 had honed and fabricated famous, albeit with a heavier mail-hardcore sound inspired by bands such every bit Fugazi and Refused. Regarding its lyrical content, it has been referred to as a concept album chronicling adolescence, with songs dedicated to first dates, fighting authorisation, and teenage parties. Due to differing opinions on direction, the trio worked in opposition to one another for the first fourth dimension, and the sessions sometimes became contentious.

The anthology had well-nigh-immediate success, becoming the showtime punk rock record to debut at number one on the U.s. Billboard 200 and achieving double platinum certification in May 2002. Information technology produced 3 hit singles — "The Stone Show", "First Date", and "Stay Together for the Kids" — that were pinnacle-ten hits on modern rock charts. Critical impressions of the album were mostly positive, commending its expansion on teenage themes, although others viewed this as its weakness. To back up the album, the band co-headlined the Pop Disaster Tour with Green Day. Take Off Your Pants and Jacket has sold over 14 million copies worldwide.

Groundwork [edit]

After a long series of performances at clubs and festivals and several indie recordings during the 1990s,[3] Blink-182 finally achieved mainstream success with the release of Enema of the State in 1999, which launched the ring "into the stratosphere of pop music" and catapulted them to get the nigh popular punk human activity of the era.[4] [5] The glossy product set Blink-182 apart from the other crossover punk acts of the era, such equally Greenish Day.[v] Three singles were released from the record — "What's My Age Once again?", "All the Small-scale Things", and "Adam's Vocal" — that crossed over into Acme forty radio format and experienced major commercial success.[vi] The anthology sold over xv one thousand thousand copies worldwide and had a considerable impact on popular punk music.[7] [8] The band spent well-nigh of 2000 touring in back up of Enema of the State, where they headlined arenas for the outset time.[9] The ring played to sold-out audiences and performed worldwide during the summer of 2000 on the Mark, Tom and Travis Prove Tour.[10]

The period following Enema of the State saw the ring experience peachy transition. "Nosotros had gone from playing small clubs and sleeping on people's floors to headlining amphitheaters and staying in five-star hotels," recalled Hoppus in 2013. "After years of difficult work, promotion, and nonstop touring, people knew who we were, and listened to what we were proverb ... it scared the shit out of united states of america."[2] [11] The band was rushed into recording the follow-upwards, every bit according to DeLonge, "the president of MCA was penalizing the states an obscene amount of coin because our record wasn't going to be out in time for them to make their quarterly revenue statements. [...] And we were saying, 'Hey, we can't practise this right now, we need to reorganize ourselves and really recall about what we want to practice and write the all-time tape we can.' They didn't hold with us."[12]

Recording and production [edit]

The band recorded demos at DML Studios, a small practice studio in Escondido, California, where the band had written Dude Ranch and Enema of the Land.[2] The group had written a dozen songs after three weeks and invited their manager, Rick DeVoe, to exist the first person outside Blink-182 to hear the new material, which the band establish "catchy [but with] a definitive border".[1] [2] [xiii] DeVoe sat in the command room and quietly listened to the recordings, and pressed the band at the terminate on why in that location was no "Blink-182 good-fourth dimension summertime canticle [thing]". DeLonge and Hoppus were furious, remarking, "You want a fucking unmarried? I'll write you the cheesiest, catchiest, throwaway fucking summertime unmarried yous've ever heard!"[2] [xi] Hoppus went home and wrote lead single "The Rock Evidence" in ten minutes, and DeLonge similarly wrote "First Engagement", which became the almost successful singles from the tape and future live staples.[thirteen]

The band began proper tracking for drums before long after at Larrabee Studios West and Cello Studios in Hollywood. The working relationship with Jerry Finn had been and so fruitful that the same squad was largely engaged for Have Off Your Pants and Jacket, with Finn producing and Joe McGrath engineering.[14] Finn and McGrath, meticulous in acquiring the all-time sound, took two days to experiment with microphone placement, different compressors, and varying EQs earlier committing Barker's drums to tape.[2] The waiting "drove [him] crazy," and Barker recorded his pulsate parts in "2 or three days" while DeLonge and Hoppus watched television upstairs.[two] When the drums were finished, the band returned to San Diego to tape the bulk of Take Off Your Pants and Jacket at Signature Sound, where they had also recorded its predecessor. While the ring worked with few days off, the sessions also proved to be memorable: "We took long dinner breaks, ate Sombrero burritos, watched Family unit Guy and Mr. Show, and laughed way likewise hard."[ii] When MCA Records executives eventually traveled to San Diego to hear the highly anticipated follow-up, the trio played a joke by merely playing them two joke songs — "Fuck a Canis familiaris" and "When Yous Fucked Hitler" (the subject of which later on changed to a grandfather) — and the executives "lost it," in DeLonge's words.[iv] [15] MCA put pressure on the ring to maintain the audio that fabricated Enema of the State sell millions; every bit a result, DeLonge believed the album took no "creative leaps [or] bounds."[4] As such, DeLonge felt creatively stifled and "bummed out" with the label's limitations.[4] [xvi]

The creative struggle was evident from the get-go. Hoppus loved everything regarding Enema of the Country — including the music videos and live prove — and "wanted to practise information technology over again," desiring to create a bigger, improve and louder follow-up.[2] DeLonge, yet, was striving for heavier and dirtier guitar-driven stone, which was inspired past post-hardcore bands Fugazi and Refused.[1] Barker, "never just a punk stone drummer," wanted to claiming himself and was listening to a keen deal of hip hop and heavy metal.[2] [11] The lyrics oft turned darker and more introspective for Hoppus, and "love songs became broken love songs."[two] [11] DeLonge rewrote some of his lyrics after listening to songs by Alkaline Trio, feeling every bit though he needed to "stride upwardly his game."[17] DeLonge pushed his guitar style further away from that on Enema of the State: "Arpeggiated guitar hooks became frenetic 1/16th note spasms," wrote Hoppus in 2013.[2] Barker's drum parts were looped and filtered, creating different sounds.[ii] For the first time, the trio worked in opposition to one another, and the sessions sometimes became contentious.[11] Hoppus felt that the sessions created an unspoken competition between him and DeLonge, between who could write the better chorus or most clever lyrics. "Our conviction and insecurity begat some heated differences, sometime to the signal where we had to leave rooms and cool downward," recalled Hoppus.[ii] Finn would often smooth over differences with a joke, offer a fresh perspective and advice.[two]

In 2013, Hoppus referred to Take Off Your Pants and Jacket as the "permanent record of a band in transition ... our confused, contentious, bright, painful, cathartic leap into the unknown."[ii] [11]

Packaging [edit]

Each icon represents a vocal championship; icon three is a condom, humorously representing the album'south third track, "First Appointment".

The title is a tongue-in-cheek pun on male masturbation ("take off your pants and jack it"). Previous titles had included If You Run across Kay (a pun on the spelling of "fuck") and Genital Ben, accompanied past a bear on the encompass of the album (a reference to Gentle Ben).[ane] Stressed at being at a loss for a name, DeLonge asked guitar tech Larry Palm for suggestions.[1] The album's title was coined by Palm, who was snowboarding on a rainy day. Inside the lodge, Palm was congregating with friends when a young kid walked in completely drenched, to which his mother suggested he "take off [his] pants and jacket."[1] Palm was told by DeLonge that if the band were to use the proper name, he would "hook him upwards".[eighteen] Instead, Palm received a letter from manager Rick DeVoe for his contribution, which offered a $500 payout for the proper noun. Palm scoffed at the corporeality, and filed adapt in 2003 with the intellectual holding attorney Ralph Loeb, alleging breach of contract and fraud against the band.[xviii] Palm demanded $20,000; the band eventually settled out of court for $ten,000.[18]

The comprehend has three "Zoso-like" icons for each band member: a jacket, a pair of pants and an aeroplane. Delonge and Hoppus' symbols became the pants and jacket, respectively, leaving Barker the airplane despite begging his bandmates non to assign him the symbol, citing his fear of flying, simply he took information technology anyway. Journalist Joe Shooman chosen the championship "a glint of sharp intelligence behind the boys' humor as information technology draws oblique attending to the fact that, latterly, Glimmer-182 had often been encouraged to get naked in order to promote themselves. It's a very self-aware album title in that context and a portent, perhaps, of what was to come".[xiv]

Composition and lyrics [edit]

I lived, ate, and breathed skateboarding. All I did all twenty-four hours long was skateboard. It was all I cared nearly. So I didn't find too much [else going on]. When I got home [one] day, my dad'southward furniture was gone, my mom was inside crying and everything just erupted at that betoken. I was 18, sitting in my driveway when information technology all went down. And so I just took everything from that twenty-four hours and put it into a song.

Tom DeLonge on "Stay Together for the Kids"[xix] [twenty]

Take Off Your Pants and Jacket has been called a concept anthology chronicling boyhood and associated feelings.[21] The band did not consider them explicitly teenage songs: "The things that happen to you in high schoolhouse are the same things that happen your entire life," said Hoppus. "You can fall in love at 60; you can become rejected at eighty."[20] [22] The record begins with "Anthem Role Two", which touches on disenchantment and blames adults for teenage issues. Information technology serves as the opposite of the ring'due south typical "party" image presented to the media, with heavily politically-charged lyrics.[23] Joe Shooman chosen information technology a "generational manifesto that exhorts kids to be wary of the arrangement that surrounds them".[23] "Online Songs" was written by Hoppus about "the thoughts that drive you crazy" in the aftermath of a breakup, and is essentially a follow-up to "Josie".[23] [24] "Offset Date" was inspired by DeLonge and so wife Jennifer Jenkins' outset appointment at SeaWorld in San Diego.[thirteen] "I was about 21 at the time and it was an excuse for me to take her somewhere because I wanted to hang out with her," said DeLonge. The track was written as a summary of neurotic teen angst and awkwardness.[xiii] "Happy Holidays, You Bastard" is a joke rail intended to "piss parents off."[24] The 5th track, "Story of a Lonely Guy", concerns heartache and rejection prior to the high school prom.[11] [24] The vocal is downbeat and melancholy, filtered through "tuneful guitar lines reminiscent of The Cure and hefty pulsate patterns".[23]

The following rail, "The Rock Show", is the opposite: an upbeat "effervescent celebration of love, life and music". It was written as a "fast punk-stone love song" in the vein of the Ramones and Screeching Weasel.[25] The song tells the story of ii teenagers meeting a stone concert, and, despite failing grades and disapproving parents, falling and staying in love.[19] Information technology was inspired by the band'due south early days in San Diego'southward all-ages venue SOMA.[24] "Stay Together for the Kids" follows and is written about divorce from the indicate of view of a helpless child.[26] Inspired by DeLonge'southward parents' divorce, information technology is ane of the ring's darker songs.[xi] [19] "Roller Coaster" was written when Hoppus had a nightmare when he and his wife, Skye, first began dating; the song is about finding something platonic but fearing for its certain departure.[26] "Reckless Carelessness" was penned by DeLonge every bit a reflection on summertime memories, including parties, skateboarding and trips to the beach.[24] "Everytime I Look for You lot" has no specific lyrical basis, according to Hoppus, and "Give Me One Good Reason" was written about punk music and nonconformity in a loftier schoolhouse setting.[24] "Shut Upwards", a "broken-family snapshot", revisits the territory of youthful woes, described by Shooman as a "adequately familiar rites-of-passage tale" that "adds to full general themes of isolation, breach and moving on to a new place that pervade Take Off Your Pants and Jacket".[22] [27] "Please Take Me Home" concludes the standard edition of the album and was written near the consequences of a friendship developing into a human relationship.[11] [24]

Several bonus tracks follow on split editions; some continue the teenage theme, while others are joke tracks. Barker used Afro-Cuban influences for his drum track on "Don't Tell Me It'south Over", and DeLonge used something other than his punk influences for "What Went Wrong".[26] While DeLonge felt "staple acoustic songs" were large for groups at the fourth dimension (such as Greenish Day'due south "Good Riddance"), the band wrote all of their songs from their inception on acoustic guitars, and he felt he would rather have "What Went Wrong" in its original class.[26] "Yous grow up and realize, 'Fuck! Who gives a fuck almost punk rock?'" he said. "There are so many great forms of music out there, and yous abound across wanting to listen to or write something because your parents will hate information technology."[26] Finn suggested lyrics for the song afterwards viewing a documentary on the first Russian nuclear test; in the motion picture, an aged Soviet physicist says of watching the explosion, "There was a loud boom, and then the bomb began fiercely kicking at the world."[26]

Release and reception [edit]

Promotion and commercial performance [edit]

Blink-182 presented with their Canadian double platinum plaques for "Take Off Your Pants and Jacket".

To promote Take Off Your Pants and Jacket, MCA Records released 3 singles, "The Rock Evidence", "First Date" and "Stay Together for the Kids", all of which were summit ten hits on Billboard 's Modern Rock Tracks nautical chart. Blink-182 performed on the Late Show with David Letterman and Late Dark with Conan O'Brien in support of Accept Off Your Pants and Jacket.[fourteen] The band also appeared in a MADtv sketch, in which the trio stars as misfits in an all-American 1950s family unit (a parody Go out It to Beaver).[28] The trio also sanctioned a band biography, Tales from Beneath Your Mom (2001), which was written by the trio and Anne Hoppus (sister of Mark Hoppus).[28]

Accept Off Your Pants and Jacket was released in June 2001,[29] and the anthology debuted at number 1 on the US Billboard 200 chart, with get-go-calendar week sales of 350,000 copies. Billboard attributed the success of the record overall every bit a result of the success of the kickoff single, "The Rock Show".[30] The anthology debuted at number 1 on the Canadian Albums Nautical chart, selling 47,390 copies.[31] It besides reached number ane on Deutschland's Tiptop 100 Albums.[32] The anthology was the commencement anthology identified as punk stone to debut at number one in the United States.[two] [11] The record shipped enough units to be certified platinum, and was certified double platinum in May 2002.[33] Soon after the release of Take Off Your Pants and Jacket, the Federal Trade Committee's study charged MCA and Blink-182 with marketing explicit material to children.[34] Take Off Your Pants and Jacket has sold over 14 1000000 copies worldwide as of 2011.[18]

Editions [edit]

Blink-182 presented with their RIAA double platinum plaques for "Take Off Your Pants and Jacket" in 2002.

The record was initially released in iii separate configurations: the "cherry-red airplane", the "yellow pants" and the "green jacket" editions. Each release contained ii dissever bonus tracks, ranging from joke tracks to outtakes. The only outward signs to differentiate the 3 editions were 3 stickers.[xv] The multiple bonus-track versions were only available for a limited time before being replaced by an edition without any bonus tracks.[fifteen]

In 2011, the Brooklyn-based independent record label Mightier Than Sword Records licensed Have Off Your Pants and Jacket to reissue on 180-gram vinyl, with 3 additional seven-inch singles featuring the six bonus tracks. Afterwards taking preorders, the company "ran out of money",[35] resulting in Shop Radio Bandage taking over the project; the LP was somewhen released in May 2013.[36] Hoppus spoke on the subject of Mightier Than Sword's delay in an interview with Alternative Press: "Information technology'south honestly something that is out of our control and not something that nosotros are happy about happening at all."[35]

Critical reception [edit]

Professional ratings
Amass scores
Source Rating
Metacritic 69/100[37]
Review scores
Source Rating
AbsolutePunk 95%[38]
AllMusic [39]
Entertainment Weekly C+[40]
Q (favorable)[41]
Robert Christgau A−[42]
Rolling Stone [27]
Slant Magazine [43]
Toronto Sunday (favorable)[44]
The Village Vocalization (favorable)[29]
Rock Hard (de) seven.v/10[45]

Critical reception of Take Off Your Pants and Jacket in 2001 was more often than not positive. Rob Sheffield of Rolling Stone was mostly the near effusive of the positive reviews, praising the unpretentious mental attitude of the band: "Every bit they plow in their relatively un-cocky-conscious style through the emotional hurdles of lust, terror, hurting and rage, they reveal more almost themselves and their audience than they even intend to, turning boyish malaise into a friendly joke rather than a spiritual crisis."[27] Darren Ratner of AllMusic felt too, writing that the tape is "one of their finest works to date, with about every track sporting a commanding joint and new-school punk sounds. They've definitely put a big-fourth dimension notch in the win column".[39] People commended the "adrenaline-laced sonic gems reveling in Glimmer'due south patented, potty-mouthed humor, recommended simply for adolescents of all ages".[46] British publication Q offered the sentiment that "when they cease arsing around for the sake of information technology, Glimmer-182 write some very practiced pop songs".[41] Kerrang! gave it a high-profile review, calling the record "eminently hummable dummy-spitting tantrum rock for the emo generation".[25]

The Hamlet Voice called the audio "emo-core ... intercut with elegiac footling pauses that align Glimmer 182 with a branch of punk stone you lot could trace back through The Replacements and Ramones Leave Habitation, to the more ethereal of early on Who songs".[29] Aaron Scott of Camber Magazine, however, found the sound to be recycled from the ring's previous efforts, writing, "Glimmer shines when they deviate from their formula, merely it is awfully rare ... The album seems to be more concerned with maintaining the band's large teenage fanbase than with expanding their overall audience."[43] Entertainment Weekly felt similarly, with David Browne opining that "the anthology is angrier and more teeth gnashing than you'd expect. The band work so hard at it, and the music is such candy sounding mainstream rock played fast, that the album becomes a paradox: adolescent energy and rebellion made joyless".[40] British mag New Musical Limited, who heavily criticized the band in their previous efforts, felt no more than negative this fourth dimension, saying "Glimmer-182 are at present duplicate from the increasingly tedious 'teenage dirtbag' genre they helped spawn". The magazine connected, "It sounds like all that sanitised, castrated, shrink-wrapped 'new wave' crap that the major US record companies pumped out circa 1981 in their belated endeavor to jump on the 'punk' bandwagon."[47]

More contempo reviews have afterwards been positive. Website AbsolutePunk, in part of their "Retro Reviews" project in 2011, called Take Off Your Pants and Jacket the band'southward best endeavour; reviewer Thomas Nassiff referred to it as "a transitory record for Glimmer-182, but you can't tell merely by listening to it on its own. It's developed and it's total – information technology feels holistically complete, dick jokes and all".[38] In 2005, the album was ranked number 452 in Rock Hard mag's volume of The 500 Greatest Stone & Metal Albums of All Time.[48]

Accolades [edit]

Publication Country Accolade Yr Rank
Kerrang! Britain The 50 All-time Rock Albums of the 2000s[49] 2016 xiv

* denotes an unordered listing

Touring [edit]

The Take Off Your Pants and Jacket supporting tour began in April 2001 in Australia and New Zealand.[14] The band returned to the US to promote their new record on the Belatedly Show with David Letterman in June 2001.[14] Afterwards, the ring set out on the 2001 Honda Borough Bout, for which the trio designed a Honda Civic to promote the company.[50] The band again received criticism for "selling out", merely the band argued by style of mitigation that their tickets were consistently offered at lower prices than those of other groups of their stature, and by accepting corporate links they could continue to requite fans a good bargain.[34] In December 2001, the trio played at a series of radio-sponsored vacation concerts, and too appeared as presenters at the 2001 Billboard Music Awards in Las Vegas.[51]

The ring rescheduled European tour dates in the aftermath of the September eleven attacks. "Subsequently the attacks the earth kind of went into freeze mode and nosotros didn't know whether to carry on with things or non ... so we decided we'd rather everyone was safe and play the shows a little subsequently instead," said Hoppus shortly thereafter.[52] The European dates were canceled a 2nd fourth dimension subsequently DeLonge suffered a herniated disc in his back.[53] With fourth dimension off from touring, DeLonge felt an "itch to do something where he didn't feel locked in to what Blink was",[4] [54] and channeled his chronic back hurting and resulting frustration into Box Car Racer (2002), a mail-hardcore disc that further explores his Fugazi and Refused inspiration.[55] [56] Refraining from paying for a studio drummer, he invited Barker to record drums on the project, which led Hoppus to feel betrayed.[16] The issue caused neat partition within the trio for some time and an unresolved tension at the forefront of the ring's later hiatus.[57]

In 2002, the ring co-headlined the Pop Disaster Tour with Dark-green Day. The tour was conceived by Blink-182 to echo the famous Monsters of Rock tours; the idea was to have, effectively, a Monsters of Punk tour.[58] The bout, from the ring's bespeak of view, had been put together as a show of unity in the face of consistent accusations of rivalry betwixt the 2 bands, particularly in Europe.[59] Instead, Green Day's Tré Absurd acknowledged in a Kerrang! interview that they committed to the tour every bit an opportunity to regain their reputation as a great alive band, as they felt their spotlight had faded over the years.[59] "We fix out to reclaim our throne equally the most incredible live punk band from y'all know who," said Cool.[60] Absurd contended that "we heard they were going to quit the tour because they were getting smoked so badly ... Nosotros didn't want them to quit the tour. They're good for filling upwardly the seats upwardly front."[60] Several reviewers were unimpressed with Glimmer-182's headlining set post-obit Green Day. "Sometimes playing final at a stone show is more a curse than a privilege ... Pity the headliner, for instance, that gets blown off the stage past the band before it. Blink-182 endured that indignity Saturday at the Shoreline Amphitheatre," a reporter for the San Francisco Chronicle wrote in 2002.[61]

The band released a 2d DVD of home videos, live performances and music videos titled The Urethra Chronicles II: Harder Faster Faster Harder in 2002.[62] Also, the 2003 film Riding in Vans with Boys follows the Popular Disaster Tour throughout the U.S.[59]

Runway listing [edit]

All tracks are written past Mark Hoppus, Tom DeLonge and Travis Barker.

No. Championship Pb vocals Length
1. "Anthem Role Two" DeLonge iii:48
2. "Online Songs" Hoppus ii:25
3. "Commencement Appointment" DeLonge 2:51
4. "Happy Holidays, You Bastard" Hoppus 0:42
5. "Story of a Lonely Guy" DeLonge three:39
6. "The Rock Show" Hoppus 2:51
7. "Stay Together for the Kids" Hoppus/DeLonge three:59
8. "Roller Coaster" Hoppus 2:47
nine. "Reckless Abandon" DeLonge 3:06
10. "Everytime I Look for You" Hoppus 3:05
11. "Give Me One Good Reason" DeLonge three:18
12. "Close Up" Hoppus 3:20
thirteen. "Please Take Me Home" DeLonge three:05
Total length: 38:56
Red "Have Off" version subconscious tracks
No. Title Pb vocals Length
fourteen. "Time to Suspension Upwards" DeLonge 3:04
15. "Mother's Twenty-four hour period" Hoppus 1:37
Yellow "Pants" version hidden tracks
No. Championship Atomic number 82 vocals Length
fourteen. "What Went Wrong" DeLonge 3:13
xv. "Fuck a Canis familiaris" Hoppus/DeLonge ane:25
Green "Jacket" version hidden tracks
No. Championship Lead vocals Length
fourteen. "Don't Tell Me It's Over" DeLonge 2:34
15. "When You Fucked Grandpa" Hoppus 1:39
Bout edition bonus DVD
No. Championship Length
1. "The Urethra Chronicles Ii: Harder Faster Faster Harder" 48:00
Notes
  • On the clean version of the album the track "Happy Holidays, You Bastard" is listed every bit just "Happy Holidays", and is an instrumental with the exception of the very concluding line, due to nearly every other line containing strong linguistic communication and/or crude sexual references.
  • On the limited edition bonus track versions, "Please Take Me Dwelling" has 182 seconds (roughly iii minutes) of silence at the end, likely to hibernate the subconscious tracks, and also to reference their proper name. (They are not listed on the back cover)

Personnel [edit]

Charts [edit]

Certifications [edit]

Run into also [edit]

  • List of number-1 albums of 2001 (U.S.)

Notes [edit]

  1. ^ a b c d e f Roger Coletti (2001). "Blink-182: No Jacket Required". MTV News. Archived from the original on November 4, 2012. Retrieved June 22, 2010.
  2. ^ a b c d eastward f m h i j k l m n o p q r Take Off Your Pants and Jacket (2013 Vinyl Reissue) (liner notes). Glimmer-182. US: Geffen / Universal Music Special Markets. 2013. SRC025/SRC026/SRC027/SRC028. This reference primarily cites the Marker Hoppus foreword. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  3. ^ Patricia Romanowski. Holly George-Warren. Jon Pareles. (2001). The Rolling Stone Encyclopedia of Rock & Scroll (Revised and Updated for the 21st Century). New York: Touchstone, 1136 pp. First edition, 2001.
  4. ^ a b c d eastward "Tom DeLonge talks guitar tones, growing up and Blink". Total Guitar. Bath, Somerset: Future Publishing. Oct 12, 2012. ISSN 1355-5049. Archived from the original on December 12, 2012. Retrieved October thirteen, 2012.
  5. ^ a b Jon Carimanica (September 16, 2011). "Not Quite Gone, A Punk Band Is Coming Back". The New York Times . Retrieved September 17, 2011.
  6. ^ Hoppus, 2001. p. 96
  7. ^ James Montgomery (February ix, 2009). "How Did Blink-182 Get And then Influential?". MTV News. Archived from the original on October 25, 2012. Retrieved February nine, 2009.
  8. ^ Matt Diehl (April 17, 2007). My Then-Called Punk: Green Mean solar day, Fall Out Boy, The Distillers, Bad Religion - How Neo-Punk Stage-Dived into the Mainstream. St. Martin'due south Griffin. pp. 75–76. ISBN978-0-312-33781-0.
  9. ^ Hoppus, 2001. p. 99
  10. ^ Edwards, Gavins (August three, 2000). "The Half Naked Truth About Glimmer-182". Rolling Rock . Retrieved July 18, 2012.
  11. ^ a b c d e f grand h i j Kyle Ryan (October 8, 2013). "Blink-182 took punk to No. 1 for the first fourth dimension with a masturbation pun". The A.V. Lodge . Retrieved October 8, 2013.
  12. ^ Richard Harrington (June 11, 2004). "Seriously, Blink-182 Is Growing Upward". The Washington Mail . Retrieved February 25, 2014.
  13. ^ a b c d Nichola Browne (November 20, 2005). "Punk Rock! Nudity! Filthy Sex! Tom DeLonge Looks Dorsum On Glimmer-182'south Greatest Moments". Kerrang!. No. 1083. London: Bauer Media Group. ISSN 0262-6624.
  14. ^ a b c d due east Shooman, 2010. p. 82
  15. ^ a b c "Blink-182 plan four versions of new album". Toronto Sun. Toronto: Sun Media. May 7, 2001. ISSN 0837-3175. Archived from the original on April 7, 2013. Retrieved February fourteen, 2013.
  16. ^ a b Shooman, 2010. p. 94
  17. ^ Pinfield, Matt (Interviewer); Hoppus, Mark (Interviewee) (June two, 2016). Mark Hoppus Talks Fatherhood, Element of group i Trio, and the all-new Blink-182 (Podcast). 2Hours with Matt Pinfield. audioBoom. Archived from the original (mp3) on June 3, 2016. Retrieved June ii, 2016.
  18. ^ a b c d Ken Leighton (September 14, 2011). "Naming Rights". San Diego Reader. Archived from the original on September 27, 2013. Retrieved February xiv, 2013.
  19. ^ a b c Shooman, 2010. p. 84
  20. ^ a b Everett, Jenny (Fall 2001). "Glimmer-182 Cordially Invites You To Have Them Seriously". MH-eighteen. Rodale, Inc. p. 81.
  21. ^ Nathan Brackett. (2004). The New Rolling Stone Album Guide. New York: Fireside, 904 pp. Beginning edition, 2004.
  22. ^ a b Shooman, 2010. p. 85
  23. ^ a b c d Shooman, 2010. p. 83
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References [edit]

  • Hoppus, Anne (October 1, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-4.
  • Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Return. Contained Music Printing. ISBN978-1-906191-ten-8.

External links [edit]

  • Take Off Your Pants and Jacket at YouTube (streamed copy where licensed)
  • Official website

sumlinwhil2001.blogspot.com

Source: https://en.wikipedia.org/wiki/Take_Off_Your_Pants_and_Jacket

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